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Showing posts from April, 2021

Coco

An animated feature film I missed some years ago, dealing with culture, tradition, family, life and death in an original and successful fashion. A joy to see and enjoy, with a moving touch. Mark: 8 / 10

The Father

Artfully directed by the talented Zeller, this devastating, heartbreaking and brutally honest depiction of dementia presents no weak links and could easily be considered one of the best movies of last year. Then, if Colman is no less than awesome, Hopkins delivers a simply stellar performance. Mark: 8.5 / 10

Shame

Ten years after its release, I succeeded in watching this movie, which I was extremely interested in, but missed at the time. Frankly, I was expecting something different, but in the end the result is interesting and Fassbender and Mulligan deliver solid performances. Mark: 7 / 10

Toy Story 4

More than one step below the first three chapters, this fourth instalment is doubtlessly entertaining, but in my opinion it could be considered a nice appendix of a stunning trilogy and nothing more. Mark: 7 / 10

The Kingdom

Released almost fifteen years ago, this average movie is an adapted depiction of some bombings happened in Saudi Arabia around or more than twenty years ago. Overall, it could be watched. But don't expect a thrilling masterpiece. Mark: 6 / 10

Onward

Once in a while, Pixar creates a product that may make us rise our eyebrows: Onward, in my humble opinion, could be considered one of those. And it's a pity, since the premises were quite interesting. Mark: 5.5 / 10

One Night in Miami...

Skillfully directed by Regina King, this fictionalized meeting of four legends struggles in the beginning when it has to involve the audience, but explodes in the second half, simply perfect in every part. Extraordinary cast. Mark: 7.5 / 10

Promising Young Woman

In my opinion, a film that every man should see to understand what's the difference between carefree lifestyle and deliberate violence; moreover, a film that every woman should see not to be deceived by appearances or social status. Everything in this movie could be defined stunning, but the script, direction and terrific perfomance delivered by Carey Mulligan are no less than perfect. Mark: 9 / 10

The American

A pretty unusual spy story located in Central Italy, that really struggles from the beginning to the end to maintain a sort of movie dignity. But, to be honest, it fails. Don't waste your time. Mark: 5 / 10

Nomadland

Featuring the extraordinary music by Ludovico Einaudi, this is without a doubt one of the most acclaimed pictures of 2020. In my humble opinion it's not a masterpiece at all, but, thanks to the two women that are the soul and the heart of it (the director, screenwriter and editor ChloƩ Zhao, and the great Frances McDormand), it's a pretty enjoyable movie, more sly and cunning than smart and groundbreaking. Mark: 7.5 / 10

Sound of Metal

Two stunning performances by Ahmed and Raci, an authentic and dry depiction of the deaf condition, a marvelous rendition of the sound effects. In a few words, a must see. Mark: 8 / 10